Ashima-Leena To Help Slumdog Millionaire Star Rubina Ali, Slumdog Millionaire Rubina Ali was helped by Ashima and Leena singh, Rubina Ali child star

Designer duo Ashima and Leena Singh have come forward to help Slumdog Millionaire's child star Rubina Ali, who lost her home in the big blaze in Bandra, Mumbai.

The designers have decided to give specially-designed outfits, pair of shoes and other accessories to support Rubina, who shot to global fame after her role as young Latika in Danny Boyle's multiple Oscar-winning movie in 2009.

"Besides wardrobes, we will be giving her an album showcasing the star's talent in ramp shows for us. We will try to help her in rebuilding her house and career," Leena told.

"We have also asked our friends and other artists in Mumbai to tender help to affected people," the designer said.

At least 21 people were injured and over 2,000 people were homeless in the fire broke out in Garib Nagar slums near Bandra (East) on March 4.

The family of Rubina watched helplessly as their shanty in the crowded slum went up in flames.

"We all were at home watching TV, when a neighbour came to alert us about the fire. We all rushed out. We spent the entire night at the railway station. I have lost everything including books and precious belongings like photographs, newspaper clippings and memorabilia of the film," the 12-year-old child artiste said.

Ashima-Leena are on board of NGO Khushii engaged in rehabilitating street children.

The designers had played a pivotal role in designing the outfits for hundreds of artists during the opening and closing ceremonies of the Commonwealth Games on October 3 and 14 last year.

Ashima-Leena is one of the most recognisable brands of the country. The two sisters-in-law set it up in 1993.

Slumdog Millionaire's child star's family home destroyed in huge fire

A child star of Oscar-winning movie ‘Slumdog Millionaire’ lost everything she had as her family home was destroyed in a huge fire in Mumbai.

Rubina Ali, who played Latika in Danny Boyle’s 2008 Oscar-winning film, said she had lost everything, including her photographs, newspaper clippings and film memorabilia.

More than 500 huts were destroyed in the city centre blaze, near the Bandra Railway Station.

“Along with my house, all my good memories of my time on the film have been reduced to ashes. My new school books have been totally burnt. However, I feel relieved to see all my family members safe. The fire is so huge, it could have cost us our lives,” the Daily Mail quoted the 12-year-old as saying.

Rubina’s father, Rafiq Ali, said: “After my daughter’s fame, this house had become all the more special for me. Seeing it burnt to ashes in front of my eyes, I feel like I have lost everything. This was all we had.”

The fire that broke out in one of the houses in the early evening quickly spread to around 500 houses in the locality. Last night the fire was reported to be spreading due to strong winds blowing into the city.

A R Rahman fails to clinch Oscar

A R Rahman missed the Oscars failing to win in both the ‘Original Score’ and ‘Original Song’ category at the 83rd Academy Awards.

He was nominated for his compositions for Danny Boyle’s film ‘127 Hours’.

The ‘Original Score’ award went to Trent Reznor and Atticus Ross for the film ‘The Social Network’ while the ‘Original Song’ award was clinched by Randy Newman for the song ‘We Belong Together’ in the film ‘Toy Story 3'.

Earlier, in 2009, the Mozart of Madras had bagged both the awards for his composition in the film ‘Slumdog Millionaire by Danny Boyle.

Danny Boyle- Shallow Grave (2004)- BluRay Rip (1080p-x264)

Since there is absolutely no way I could ever write a blurb as beautiful and eloquent as the last two by leclisse, I'll just leave you with Shallow Grave, one of my favourites from Danny-with-a-D Boyle.




From Daniel Stephens at Strange Conversation:

Shallow Grave, British director Danny Boyle’s debut feature film, is about the disintegration of friendship under the strain of greed. It’s also a bleak social study of three bright but blinded intellectuals who’ve allowed callous opportunism defeat any moral grounding. It’s certainly a daring, hard-edged low-budget thriller that paints a dark, almost dangerous view, of the young, middle-class characters it portrays. But it’s also a very astute investigation of the primal forces that drive human beings. Indeed, the three main characters display the primitive form of Freud’s theory of personality development when they allow their moral judgment to be governed by the pleasure of having lots and lots of money.

Shallow Grave concerns the lives of three friends who live in the same flat, David (Christopher Ecclestone), Kelly (Juliet Miller), and Alex (Ewan McGregor). When they advertise for a new flatmate, the mysterious Hugo arrives and shuts himself in his room. When they try to tempt Hugo out of his slumber they find him lying on his bed dead. Instead of calling the police they search his belongings finding a large suitcase full of money. Putting all decency aside, they chop up the body, mash up his teeth, bury him in a secluded wood, and throw his car over a cliff. Of course, nothing is easy. David, whose job it was to do the chopping of limbs and smashing of jaws, begins to succumb to the madness of the situation as the reality of what he did takes its toll. Meanwhile, Hugo obviously didn’t come by the money through any sort of legitimate way, and some of his old ‘friends’ are closing in on the loot.




You can see where the buoyancy of youth and lack of big-budget constraints helped director Boyle create this very tightly-paced thriller. He shows some lovely directorial flourishes, whether it’s in the way he moves his camera around the flat, or how he lights the burial scenes, you know you are watching a man who is so passionate about his film. That passion is definitely something that comes off the screen, with Boyle having the smug-confidence to show off the film’s concluding twist, not with words, but with a sweeping track beneath the floorboards. You’ve also got to give him credit for presenting us with such obnoxious characters; it’s a definite trait of a director either free of studio shackles or with the determination to demand he do it his own way. He doesn’t take the obvious route in presenting us with people we must care about to feel any emotion in their story, he simply shows us a decision they make which questions any decent fundamental moral standing. In doing this, the audience is drawn into the film through how their own ideals reflect the situation. In other words, it leads back to that age-old tale of finding a twenty pound note and asking yourself: do you keep it, or hand it into the police. In this case the stakes are intensified but the underlying issue remains the same. The beauty of the film is its ability to question the audience’s values by suggesting that everyone, for at least a second, thinks they would take the money and find some way to dispose of the body.




It works so well because as the characters pretensions begin to collapse they become, dare I even say it, endearing. It’s obviously a very dark appeal they possess but as the disdain for their peers starts to crack, and the friendship becomes detracted, there’s a very realistically identifiable paranoia that is easy to relate to given the circumstances. As Alex starts to write his ‘facts that should be known in case of my untimely death’, Kelly’s probable escape to Rio, and David’s continuing internal destruction, we see a fabulous dynamic between these people that were at the beginning of the film, over-critical, over-indulgent, and most certainly over-confident. It’s a rather cynical appreciation of the film as the audience feeds off these undesirable’s murky fall from grace, as they get what they deserve. In effect, it’s like watching the school bully get stoned by all the little kids who’ve had their dinner money stolen from them. By presenting us with characters that were difficult to like at the beginning of the film, we find a more powerful resonance from their disintegration as things begin to go wrong.

The film isn’t perfect however (Boyle would go on to make a better film with Trainspotting two years later), largely because some liberties are taken to keep the pace up. Kelly, Alex, and David make the decision to chop up the body too quickly (Charles Manson might make the decision so quickly but not these intelligent, professional people with everything to lose) which is certainly an indication of Boyle’s intention to get to the second part of the story more quickly. It works in the sense that the tension can be cranked up ten minutes earlier, but perhaps a greater deal of development in this area would have helped. Yet, you can’t take much away from Boyle, his cast, or his production crew (who create a great main location in the flat), as it’s a very mature debut film with excellent central performances. Certainly, you can look at Shallow Grave and Trainspotting - Danny Boyle’s first two feature films – as his greatest achievements.




Technical Information:

Title: Shallow Grave
Year: 1994
Country: UK
Director: Danny Boyle

Source: BluRay Retail
Video Codec: 1080p x264
Container: .mkv
Size: 7.95 GB
Length: 1:32:19
Programs used: Unknown

Resolution: 1920x1080
Aspect Ratio: 16:9
Video: MPEG4 H264 @ ~ 15000 kb/s
Frame Rate: 23.97 fps

Audio 1: English- Dolby AC3 Stereo @ 640 kb/s
Audio 2: Russian- Dolby AC3 Stereo @ 640 kb/s
Subtitles: English, Russian




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