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Seabear- The Ghost that Carried Us Away (2007)- EAC CD Rip (APE/FLAC)

seabear- the ghost that carried us away
This is some absolutely beautiful music that shouldn't fall through the cracks. Seabear lays down a consistent, flowing vibe from beginning to end, which is not an easy feat. This is a surprisingly good album.


seabear- the ghost that carried us away

Technical Information:

Artist: Seabear
Album: The Ghost That Carried Us Away
Year: 2007

Audio Codec(s): APE/FLAC
Encoding: Lossless
Rip: EAC APE + .cue/FLAC split tracks
Avg. bitrate: 829 kb/s
Sample rate: 44100 Hz
Bits per sample: 16
Channels: 2
File size: 262 MB/272 MB
Length: 00:44:20


Tracklisting:

01. Good Morning Scarecrow (1:55)
02. Cat Piano (3:28)
03. Libraries (3:18)
04. Hospital Bed (4:28)
05. Hands Remember (4:04)
06. I Sing I Swim (3:39)
07. Owl Waltz (4:46)
08. Arms (2:52)
09. Sailors Blue (4:03)
10. Lost Watch (4:56)
11. Summer Bird Diamond (2:09)
12. Seashell (4:37)


seabear- the ghost that carried us away


The Ghost that Carried Us Away Megaupload Links:

APE (img + .cue)
FLAC (split tracks)



Dinosaur L (Arthur Russell)- 24-24 Music (1982)- Vinyl Rip (24 bit FLAC)

dinosaur l- arthur russell- 24-24 music
We dropped Arthur Russell a little too early, so now we're playing catch-up. Expect some ambient Russell in the near future. Enjoy!


dinosaur l- arthur russell- 24-24 music


Technical Information:

Artist: Dinosaur L (Arthur Russell)
Album: 24-24 Music
Year: 1982

Audio Codec(s): FLAC
Encoding: Vinyl Rip
Rip: Lossless
Avg. bitrate: 1586 Kbps
Sample rate: 44100 Hz
Bits per sample: 24
Channels: 2
File size: 331 Mb
Length: 00:29:16


Tracklisting:

A1. #1 (You're Gonna Be Clean On Your Bean) (3:56)
A2. #5 (Go Bang) (7:55)
A3. #2 (No, Thank You) (1:28)
A4. #7 (1:48)
B1. #3 (In The Corn Belt) (6:58)
B2. #6 (Get Set) (7:11)


dinosaur l- arthur russell- 24-24 music


24-24 Music Megaupload Link



Moondog- Moondog 2 (1971)- CD Rip (FLAC)

moondog 2 1971
Madrigals on Purple Microdot. I will say no more.


moondog 2 1971


From Derek Taylor at Dusted Records:

Moondog 2 economizes down comfortably to a modest octet for a run through a populous program of madrigals and canticles. Sung in the round by a small chorus of voices, heavy on harpsichord and rhythmic hand percussion devices, many of the songs seem ideally suited to accompany commercial product endorsements. It’s possible to picture a beehived housewife model clothed in bright rayon muumuu, smile sparkling, holding up the latest, greatest cleaning disinfectant to the strains of “My Tiny Butterfly”. “Coffee Beans”, with its caffeine-addictive singsong melody and percolating simplicity could’ve easily been co-opted as a ’70s Folger’s java jingle. Yet again Moondog breaks orbit with preconception, sliding into a stylistic freefall that is at once disarmingly familiar and hilariously unhinged. Both CBS albums, Moondog and Moodog 2, led to a decades-long game of label leap-frogging that continued until Moondog’s death in early 1999. Each has its charms and both fit like square pegs into the standard round hole slots of discographical consistency. I’m betting Moondog wouldn’t have had it any other way.


moondog 2 1971

Technical Information:

Artist: Moondog
Album: Moondog 2
Year: 1971

Audio Codec(s): FLAC
Encoding: Lossless
Rip: CD Rip
Avg. bitrate: 861 Kb/s
Sample rate: 44100 Hz
Bits per sample: 16 Bit
Channels: 2
File size: 275 MB
Length: 0:44:40


Tracklisting:

01. Bells Are Ringing (1:19)
02. Voices Of Spring (1:47)
03. What's The Most Exciting Thing? (2:31)
04. All Is Loneliness (1:16)
05. My Tiny Butterfly (1:12)
06. Why Spend A Dark Night With Me? (1:09)
07. Coffee Beans (2:10)
08. Down Is Up (1:07)
09. Be A Hobo (1:09)
10. Remember (1:52)
11. I Love You (1:08)
12. Nero's Expedition (1:52)
13. No, The Wheel Was Never Invented (1:20)
14. With My Wealth (1:35)


moondog 2 1971


Moondog 2 Megaupload Link



Moondog- Moondog (1969)- CD Rip (FLAC)

moondog 1969
Moondog appeared to me while swimming through an Alastair Galbraith jag. He's a scary sight at 3 a.m.


moondog 1969


From Derek Taylor at Dusted Records:

The fringes of music are rife with lovable oddballs. Those errant tone scientists that march to their own internal and enigmatic drums and devise music that straddles genres indiscriminately. Or better still, does away with such subjective, often stifling parameters altogether. In this informal academy of the unrepentantly weird, Sun Ra and George Clinton talk shop alongside lesser knowns like Bongo Joe Coleman and Robbie Basho. Moondog aligns easily with the latter company.

A blind street-busking savant, his career stretched across four decades and resulted in a body of music that remains stubbornly unclassifiable to date. While he enjoyed several brushes with notoriety as a composer, he also spent long segments of his life in nearly complete anonymity. A trio of initial albums for Prestige in the late 1950s felt more like field recordings than fully fleshed and financed studio efforts. But they successfully embodied Moondog’s early oeuvre by incorporating examples of his eclectic street corner routines. Experiments with folk forms and rhythmic layerings on homemade instruments mixed with musique concrete montages to create a schematic of the quixotic crannies of his psyche. Even so, many viewed the records as more novelty than coherent artistic statement.

Moondog conscripts a symphonic orchestra made up of numerous classical and jazz studio regulars including Hubert Laws, Don Butterfield, George Duvivier and Ron Carter. “Theme” juxtaposes sawing strings with clattering hollow percussion in a droning mélange that eventually opens out into more lyrical vistas with the coming of the horns. “Symphonique #3”, subtitled “Ode to Venus”, unfolds as a contrapuntal collage, voiced first by delicate strings and later by choir-like woodwinds, each lushly orchestrated, but also slightly saccharine in cast. “Symphonique #6” fares better, a roving blend of swinging writ-large syncopation, ostinato bass and fluttering clarinet dedicated to Benny Goodman. Sprawling Morricone Americana suffuses the “Witch of Endor”, another sectional piece shorn from a larger Moondog orchestrated opera that also has whimsical moments that recall cartoon composer Carl Stalling. Snatches of rhyming spoken word philosophy intersperse several of the pieces adding to the semblance of a guided tour atmosphere. As whole, the session carries the calling cards of a modern impressionistic classical affair fused with pop, operatic and film soundtrack elements. Even so, it’s well beyond the scope of easy categorization.



moondog 1969

Technical Information:

Artist: Moondog
Album: Moondog
Year: 1969

Audio Codec(s): FLAC
Encoding: Lossless
Rip: split tracks
Avg. bitrate: 772 Kbps
Sample rate: 44100 Hz
Bits per sample: 16 Bit
Channels: 2
File size: 159 MB
Length: 00:30:56


Tracklisting:

01. Theme (2:36)
02. Stamping Ground (2:36)
03. Symphonique #3 (Ode To Venus) (5:51)
04. Symphonique #6 (Good For Goodie) (2:45)
05. Minsym #1 (5:45)
06. Lament I, "Bird's Lament" (1:42)
07. Witch Of Endor (6:29)
08. Symphonique #1 (Portrait Of A Monarch) (2:36)


moondog 1969


Moondog Megaupload Link



Various Artists- The History of U.K. Underground Folk Rock (1968-1978)- Volumes 1 and 2- CD Rip (FLAC)

the history of uk underground folk rock 1968-1978
This is a compilation that we've wanted to post for close to year, but I held back because we had it only in mp3. Then a few days back we lucked out and found it in lossless. There is some stunningly beautiful music here, so try not to pass it by. As usual, enjoy!


the history of uk underground folk rock 1968-1978

From Richie Unterberger at All Music Guide:

You can think of this as sort of an equivalent to specialty series like Nuggets, Rubble, and Pebbles that unearthed very obscure 1960s rock, the difference being that this focuses on British folk-rock of the late '60s and '70s. Although artists like Fairport Convention, Steeleye Span, the Incredible String Band, and Pentangle are fairly popular and well-known, there have been very few discs dedicated to excavation of other bands working along the same lines that never got anywhere (commercially that is). This CD is compiled from rare albums, along with presenting previously unavailable songs by the Trees, Tir Na Nog, Mellow Candle, and Harison. Now, when the Trees and Mellow Candle are by far the most recognizable names on the track listing, you know this is digging deep. Note, however, that unlike many anthologies of obscure genre music — for whatever genre — the quality on this and Vol. 2 of this series is pretty high, and virtually guaranteed to appeal to fans of classic British folk-rock in the Fairport/Steeleye/Incredibles mold. Whether high female vocals in the Sandy Denny/Jacqui McShee style or fairly exotic acoustic-based folk-psych is your bag, there's a lot of it here. While there may not be anything as outstanding as the best of the well-known bands, it's a fine soundtrack for imagining yourself hiking through the British greenlands, with the style's characteristic emphasis on minor-based, folky melodies. Some of the stuff will appeal to psychedelic fans of any kind, too, like Parameter's "Emmeline," with its Ray Davies-like vocal, wiggly guitar, and general aura of disembodied cloudiness.


the history of uk underground folk rock 1968-1978

Volume 1 Technical Information:

Artist: Various Artists
Album: The History of U.K. Underground Folk Rock (Vol. 1)
Year: 1968-1978/2007

Audio Codec(s): FLAC
Encoding: Lossless
Rip: split tracks
Avg. bitrate: 649 kb/s
Sample rate: 44100 Hz
Bits per sample: 16
Channels: 2
File size: 349 MB
Length: 1:15:15


Tracklisting:

01. Shide & Acorn- Under the Tree (4:29)
02. Caedmon- Aslan (4:26)
03. Tir Na Nog- Our Love (3:10)
04. Mellow Candle- Sheep Season (3:36)
05. Parameter- Emmeline (5:49)
06. Fibbertigibbet- Little Roving Sailor (2:18)
07. Horison- Sea of Tranquility (5:50)
08. Vulcans Hammer- Jamie (3:34)
09. Caedmon- Sea Song (5:35)
10. Stone Angel- Dancing at Whitsun (3:15)
11. Mark Newman- Patterns (2:30)
12. Trees- Little Black Cloud (2:13)
13. Midwinter- Winter Song (3:59)
14. Artist Unknown- Hymn for Today (4:20)
15. Loudest Whisper- She Moves to the Fair (5:56)
16. Skybird- Magdalena (3:24)
17. Gallery- The Baron of Brackley (4:29)
18. Water into Wine Band- Waiting for Another Day (6:23)


Volume 1 Megaupload Link


the history of uk underground folk rock 1968-1978

Volume 2 Technical Information:

Artist: Various Artists
Album: The History of U.K. Underground Folk Rock (Vol. 2)
Year: 1968-1978/2007

Audio Codec(s): FLAC
Encoding: Lossless
Rip: split tracks
Avg. bitrate: 640 kb/s
Sample rate: 44100 Hz
Bits per sample: 16
Channels: 2
File size: 307 MB
Length: 1:07:08


Tracklisting:

01. Mellow Candle- Silver Song (4:11)
02. Stone Angel- The Bells of Dunwich (6:00)
03. Loudest Whisper- Silent O'Moyle (5:55)
04. Parameter- Sun Gone (1:06)
05. Shide & Acorn- I Used to Live Within a World (3:31)
06. Blue Epitaph- Ffief (2:34)
07. Mark Newman- Mustapha (4:34)
08. Mourning Phase- Ring Out the Bells (4:30)
09. No. 9 Bread St.- Girl for All Seasons (2:11)
10. Melton Constable- River Lane (3:53)
11. Parameter- Virgin Childe (2:50)
12. Horison- Epic (4:00)
13. Waiting for the Sun- Waiting for the Sun (3:50)
14. Moths- Halfdan's Daughter (3:06)
15. Caedmon- London Psalm (5:27)
16. Tir Na Nog- Daisy Lady (1:43)
17. Flibbertigibbert- My Lagan Love (3:40)
18. Midwinter- Sanctuary Stone (4:09)


Volume 2 Megaupload Link


the history of uk underground folk rock 1968-1978



Movie of the Week














This week,

NORTH BY NORTHWEST (1959)

Starring- Cary Grant, Eva Marie Saint, James Mason, Martin Landau

There are five or six Alfred Hitchcock films that are better than the rest, and I can safely say that this one is in that distinct group. North by Northwest is more light hearted and fun than some of Hitchcock's other works and was an intentional departure from the dark, moody story that marked his previous film, Vertigo. While this movie is has less symbolism and overt psychological mind games, it is still a suspenseful thriller that keeps the audience on the edge of its seat until the very end.

Madison Avenue advertising executive Roger Thornhill (Grant) is just going about his day when he is mistaken for the unknown George Kaplan and taken by force to the home of diplomat Lester Townshend. There he is interrogated by a mysterious man who turns out to be Philip Vandamm (Mason). When they don't get the information they need from Thornhill they attempt to kill him, but he escapes. The trail then leads Thornhill to the United Nations building and then on the run from the law after he is suspected of murder. While on the run he meets cool blonde Eve Kendall (Marie Saint) on a train, and she helps him piece together the mystery of his mistaken identity.

The plot twists and turns until the audience isn't sure who to trust and Thornhill is asked to play the part of the man he was mistaken for in the beginning in order to help capture the sinister Vandamm. It all ends in a brilliantly shot and choreographed chase/fight atop Mount Rushmore that is one of Hitchcock's most enduring scenes.  Grant is charming as always, and gets off some great lines that keep the mood of the film witty amidst the ever present Cold War suspense and the race for one of his most prevalent MacGuffins. James Mason is a good foil for Grant and exudes charm while maintaining an air of menace, and Eva Marie Saint is the classic Hitchcockian 'cool blonde.'

Film students are asked to study this film because of its iconic scenes, and the use of techniques that Hitchcock honed and made his own. One of the best and most overlooked moments is when the thing that the villains are after is explained in detail, but it cannot be heard by the audience because of the sound of an airplane motor. It is classic Hitchcock all the way. Movies don't get much more fun, thrilling and scenic than this.

Things to watch for-

The Professor
The cool Frank Lloyd Wright-esque house
Watch out for crop dusting planes
The phallic final shot
Hitchcock misses the bus

"Now you listen to me, I'm an advertising man, not a red herring. I've got a job, a secretary, a mother, two ex-wives and several bartenders that depend upon me, and I don't intend to disappoint them all by getting myself "slightly" killed."

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India beat Pakistan to set up final with Sri Lanka, Pakistan 231, India 260/9, India - 260/9 in 50 overs


MOHALI, India (Reuters) – India beat Pakistan by 29 runs in the second World Cup semi-final Wednesday and will take on Sri Lanka in Saturday’s final in Mumbai.

The 1983 champions posted 260-9 and then returned to bowl out their neighbours for 231 in 49.5 overs to spark jubilant celebrations at the Punjab Cricket Association Stadium.

Opting to bat first, India got off to a rollicking start and Sachin Tendulkar (85) got a series of let-offs as well but Wahab Riaz’s (5-46) five-wicket haul restricted the co-hosts to a rather modest total.

Pakistan got off to a decent start too but losing wickets at regular intervals denied them any significant partnerships and batsmen such as Mohammad Hafeez (43) and Asad Shafiq (30) were guilty of throwing away their wickets at the most inopportune time.

Misbah-ul-Haq (56) offered some late resistance but it was not enough in the end.

For India, Yuvraj Singh (2-57) made amends for his batting failure, while Harbhajan Singh (2-43), Ashish Nehra (2-33), Zaheer Khan (2-58) and Munaf Patel (2-40) also shone with the ball.

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India won the Semifinal World cup match 2011 against Pakistan by 29 runs.
Harbhajan Singh tightened the Indian stranglehold on Pakistan by having Shahid Afridi caught by Virender Sehwag in the covers off a full toss in their World Cup semifinal clash at the PCA stadium in Mohali on Wednesday.

Angelina Jolie immortalised in comic book, Angelina Jolie in comic book


Actress Angelina Jolie has been immortalised in a comic book that talks about her rise to fame and life with actor and partner Brad Pitt.

The book, which is a part of the "Female Force" comic series, is written by Brent Sprecher and has illustrations by Nuno Nobre.

It will talk about Jolie's diverse range of movie roles, including her roles in "Gia" and "Girl, Interrupted", and her charity work.

"I learned a great deal about her struggles and triumphs as an actress, mother and humanitarian. Often painted as an edgy, slightly dangerous movie star, what is often not revealed about Ms. Jolie is her tireless commitment to charity work and her dedication to the plight of refugees around the world as a Goodwill Ambassador with the United Nations," aceshowbiz.com quoted Brent as saying.

The "Female Force" series was first published in 2008 to showcase strong and influential women who are shaping modern history and culture.

Michelle Obama, Hillary Clinton, Oprah Winfrey, Margaret Thatcher, J.K. Rowling and Sarah Palin were among those who have been featured in previous issues.

Live India vs Pakistan, Live India 260/9, Live cricket match, Live icc world cup semi final india-pak, Live streaming india-pak semi final

Watch Live Match....


Watch Live Match....


Watch Live Match....

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MOHALI: Pakistan left-arm pace bowler Wahab Riaz took four wickets, including two off successive balls, to put his side on top in the World Cup semi-final against India on Wednesday.

Riaz, who had earlier dismissed Virender Sehwag lbw after the opener had struck a frenetic 38 with nine boundaries, had Virat Kohli caught for nine then bowled India's form player Yuvraj Singh for a duck with a magnificent inswinging yorker.

He won another lbw appeal against captain Mahendra Singh Dhoni (25).

India would have been in more trouble if Pakistan had not dropped Sachin Tendulkar four times, three of them off captain Shahid Afridi. Tendulkar also had an lbw decision reversed on review while a stumping appeal off the next ball was referred to the third umpire.

He was finally out for 85, caught by Afridi, 15 short of becoming the first man to score 100 international centuries.

* Sehwag received a deafening ovation when he drove the third ball of the match to the cover boundary.

He helped himself to a further three fours through an unprotected leg-side and two through the off in Umar Gul's next over followed by a further brace in the hapless paceman's third.

Riaz replaced Abdul Razzaq at the other end and was immediately successful when Sehwag played across his fifth ball and was given out lbw. 49/1 off six overs

* Tendulkar, one short of an unprecedented 100 international centuries, played two exquisite shots off Riaz, turning his wrists late to steer the ball through the leg-side for four then dipping low to carve another boundary through the covers.

With left-hander Gautam Gambhir at the crease, off-spinner Saeed Ajmal was introduced to the attack in the ninth over. 73/1 off 10 overs

* Tendulkar survived appeals off consecutive balls from Ajmal which temporarily silenced the crowd. He was given out lbw for 23 by Ian Gould but appealed against the decision and won a reprieve when the television replay showed the ball would have missed the leg-stump.

Pakistan appealed for a stumping off the next ball and Tendulkar was again reprieved when the replay showed his back foot was grounded. Tendulkar's charmed life continued when he was dropped on 27 off Afridi by Misbah-ul-Haq at mid-wicket mistiming a pull. 99/1 off 15 overs

* Pakistan's luck appeared to turn when off-spinner Mohammad Hafeez lured Gautam Gambhir (27) out of his crease and Kamran Akmal completed the stumping. He added had 68 runs from 66 balls with Tendulkar. But Tendulkar was then dropped on 45 by Pakistan's safest catcher Younus Khan in the covers off the unfortunate Afridi. Tendulkar added to the Pakistan captain's chagrin by driving Afridi over cover to bring up his half-century from 67 balls. 141/2 off 25 overs

* Riaz, brought back into the attack, immediately began to reverse swing the old ball and was rewarded with the wickets of Koli, who lobbed a catch into the covers, and Yuvraj who had averaged 113.66 previously in the tournament. 168/4 off 30 overs

* Afridi recalled Gul, whose first four overs had cost 41 runs, to see if he could emulate Riaz and reverse the ball. Tendulkar received two further lives when he was dropped by Kamran Akmal on 70, a difficult chance behind the stumps, again off Afridi. Akram's brother Umal then dropped Tendulkar on 81 off Hafeez at wide mid-wicket. Tendulkar's luck finally ran out when Afridi held a fierce drive at short-cover off Ajmal. 200/5 off 40 overs

* Dhoni struggled to get bat to ball as the Indian run rate slipped further. He tried to clip Riaz off his legs but missed a ball which was heading straight for the stumps. 221/6 off 45 overs

* Dhoni won an important toss on a hot muggy morning and had no hesitation announcing he would bat in a match which has captured the imagination of the sub-continent.

India selected pace bowler Ashish Nehra instead of off-spinner Ravichandran Aswhin while Pakistan named an unchanged team, again omitting fast bowler Shoaib Akhtar who will retire after the tournament.

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Rain in Mohali

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India Pakistan today for ‘final of finals’, India-Pak Semi final today, Today semis india-pak, live india pakistan, stream match india-pak, icc world


With all eyes set on the ICC World Cup semi-final between India and Pakistan — being termed as “final of finals” — the PCA stadium has been turned into a fortress. As part of the three-tier multi-layered security, stadium has been put under a 2.5-km-radius of extensive barricading.

Early on Tuesday morning, endless streams of Punjab Police personnel — requisitioned from across the state — were deployed for duty in and around the stadium. With the stadium’s outer wall surrounded by metal containment barricades, channels fixed on every entry gate, movable barricades in place to regulate traffic around the venue and view cutters installed to visually segregate one area from another, the stadium seemed to be the best protected place in the city. However, no shuttle buses will be in service to ferry spectators to and fro parking lots and stadium on Wednesday.

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Pre-match rain threatens India-Pak semi final, India pak semi final at mohali, India vs pak world cup semi final live match, manmohan gilani at semis


New Delhi: A dust-storm, thunder and lightning lashed Chandigarh, followed by mild rains on Tuesday evening just a day ahead of the crucial India-Pakistan semi-final match on Wednesday.
The rain gods can dampen the spirits of tens of thousands of cricket fans and play spoilsport in the eagerly awaited World Cup semifinal at Punjab Cricket Association (PCA) Stadium on Wednesday.
The weatherman has predicted clouds to prevail in this region with a possibility of light rain.

"Partly cloudy sky will prevail over in the Mohali region on Wednesday. Thunderstorms and dust-storms along with light rain, by the evening, could also prevail in various parts of this region on tomorrow. Similar conditions are prevailing in this region for the last 24-hours," a Met official said on Wednesday.
"However, it will be comparatively warm tomorrow. The maximum temperature is expected to hover around 30 to 33 degrees Celsius whereas the minimum temperature will be around 17 to 18 degrees Celsius Wednesday," he added.
A hailstorm coupled with lightning and thunder lashed Shimla and its surrounding areas this evening disrupting normal life.
The local MeT office has predicted more rains and thunderstorm at many places during next 24 hours.
Watch Live Match...

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Lahore: Pakistan's Punjab Chief Minister Shahbaz Sharif has announced that each member of the national cricket team will be given 25 acres of fertile land if they beat India in the high-profile World Cup semi-final match.

"My government will give 25 acres of fertile land to each member of the team as a prize if they beat India," Sharif said during a news conference on Monday.

"The Pakistani cricket team deserves appreciation from the nation for displaying outstanding performance in different matches of the World Cup. We are praying for its success," he said.

Sharif advised the Pakistani players not to come under pressure for the crucial game against arch-rival India. Pakistan will play against India tomorrow in high-voltage semi-final match of the World Cup in Indian Punjab, not far from the Pakistani Punjab.

Watch Live India vs Pakistan...

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india pakistan semi final, India vs Pakistan world cup semi final, India vs pakistan semi final live, manmohan, gilani at india-pakistan semifinal


An edge-of-the-seat contest is in the offing as arch rivals India and Pakistan take on each other in the semi-final of the World Cup at Punjab Cricket Association (PCB) here tomorrow.

The hype and hysteria surrounding the contest has further raised the stakes and despite the repeated assertions by the team managements, players are feeling the heat.

Adding to the pressure on the teams will be the fact that the Prime Ministers of both the countries are specially arriving here to watch the match.

Mahendra Singh Dhoni and Shahid Afridi have asserted that their sides will give their best and have urged fans to treat it like any other game but the two captains know that it is easier said than done as the passions are running high and the stakes are sky-high.

Both teams are former champions and the desire to regain that status has created unbelievable pressure.

For the record, India has beaten Pakistan four times in World Cup matches and the visitors from across the border have a happy memory of the PCA ground having beaten the hosts twice on this ground.

With the teams in good form, both captains face a similar problem: which set of fast bowlers to play. India have a choice between the misfiring Ashish Nehra and the unimpressive Munaf Patel to partner

Zaheer Khan, while Pakistan are yet to take a call on fielding Shoaib Akhtar alongside Umar Gul.

No team likes to fiddle with a winning combination, but local conditions cannot be ignored either. It means that conditions in Ahmedabad or Colombo may not necessarily be the ideal for Mohali.

For Shoaib, who will almost certainly pull the curtain down on a roller-coaster career after this tournament, it will be one last chance to play his favourite role, that of glory boy. He was a minor part in Pakistan's early run but has been on the bench for their last three games and it is unlikely that he will play tomorrow.

For India, Patel should have walked into the playing XI given his nagging accuracy and wicket-to-wicket line but he has not been very incisive. However the problem is that Nehra and Shantakumaran Sreesanth are not good alternatives.

This semi-final thus boils down to a battle between India's batting and Pakistan's bowling. There are several Indian batsmen in the ICC's top 20 ranking list while there isn't a single name from Shahid Afridi's line-up.

India's progress so far has been due to their batsmen, while Pakistan have found their men of the moment on virtually a match by match basis.

Yet, the two teams are all set to play for a place in the finals.

The deciding factor here, as is the case in all such do-or-die occasions, is nerve, and the ability to tough out a situation. Pakistan look a happy unit.

India's top three - Virender Sehwag, Sachin Tendulkar and Gautam Gambhir - have to give their side a solid start. Pakistanis realise that this trio is dangerous so they will do everything to get rid of these three as quickly as possible.

The bowlers Zaheer, Harbhajan, part timer Yuvraj Singh will have to bowl well and the side will have to raise the level of their fielding.

As Dhoni admitted that Pakistan has a very good bowling attack, Afridi feels that his side has some good and experienced batsmen.

"We are a compact side," said Afridi adding that his bowlers are well aware of India's batting strength.

India cannot afford middle order batting collapses like the ones which they suffered against South Africa and the West Indies.

Pakistanis are not going to give them any quarters. Pakistan has a good bowling attack but the strong Indian batting line-up has the wherewithal to negotiate it.

But the hosts will have to be weary of their rivals batting. Underestimating them in this department can prove costly.

Teams (from):

India: MS Dhoni (capt), Virender Sehwag, Sachin Tendulkar, Gautam Gambhir, Virat Kohli, Yuvraj Singh, Yusuf Pathan, Suresh Raina, Ravichandran Ashwin, Piyush Chawla, Harbhajan Singh, Zaheer Khan, Ashish Nehra, Munaf Patel, S Sreesanth.

Pakistan: Shahid Afridi (capt), Misbah-ul-Haq, Abdul Razzaq, Abdur Rehman, Ahmed Shehzad, Asad Shafiq, Junaid Khan, Kamran Akmal, Mohammad Hafeez, Saeed Ajmal, Shoaib Akhtar, Umar Akmal, Umar Gul, Wahab Riaz, Younis Khan.

Jacques Audiard- Un prophète/A Prophet (2009)- DVD9 (PAL Format)

jacques audiard- Un prophète- a prophet
Okay...

This film is an out-and-out masterpiece. Best film I've seen in the last few years. If there ever was a film that deserved the "another Godfather" hype...Un prophète is it. An amazing work of art.

jacques audiard- Un prophète- a prophet

From Michael J. Anderson at Tativille:

Jacques Audiard's A Prophet (Un prophète, 2009), from an Audriard and Thomas Bidegain screenplay, offers a similar sociological portrait of a France where its older (white) populations are being eclipsed by those of its less assimilated Islamic immigrants. In the case of Audriard's film, this dynamic is expressed through the power relationships that obtain in prison, where a young, non-practicing Muslim, Malik (Tahar Rahim), is forced by the Corsican mafia, headed by the aging César Luciani (Niels Arestrup), into murdering fellow Arab prisoner Reyeb (Hichem Yacoubi). Hereafter, Malik is visited occasionally by his murdered brother, thus connoting the intimacy between the murdered and murderer, while also providing a schizophrenic corollary to his own position shuttling between the Islamic faith of his birth and the secular world of his white gang. A Prophet indeed lacks Hadewijch's comparative theological dimension, save for Hadewijch's distinction between a devout Islam and a Christianity that has become mere culture - its only presence in A Prophet is in the Christmas holiday, just as in Dumont's film, Christianity apart from Céline (and outside the cloister) is mummified in the well-adorned, empty church.


jacques audiard- Un prophète- a prophet

As the narrative progresses, César is deserted by his fellow Mediterranean inmates, who are moved to an institution closer to their native Corsica following a governmental decree. Consequently, César comes to rely on Malik increasingly as he negotiates the increasing clout of the Muslim block. Malik, however, proves exceedingly adept in his own right, as he navigates this same faction even more shrewdly, while remaining loyal to his boss. Ultimately, Malik's power comes to exceed César's, displacing the power dynamics in the prison onto the Malik-César relationship. At the film's harrowing close, Malik not only refuses to cross the yard to visit with his former master, but indeed has his underlings punch the old man in the gut as he attempts to approach. In A Prophet, political calculation takes precedent over not only loyalty, but also over moral or ethical considerations.


jacques audiard- Un prophète- a prophet

A Prophet accordingly represents a French translation of Martin Scorsese's underworld idiom (cf. Mean Streets, 1973; Casino, 1995), replete with a similarly protean, post-classical style. Like the former, though A Prophet does it better than any Scorsese film in more than a decade-and-a-half, Audiard combines markedly disparate techniques in what is, like the cinema of Arnaud Desplechin equally (Kings and Queen, 2004), a filmmaking notable for its variability. In distinct contrast to Hadewijch's heavily composed, patient images, A Prophet often favors documentary-inflected, jittery hand-held takes, hard cutting and subjective focalization, construed by A Prophet's variations in visual point-of-view and on a soundtrack that in pivotal moments becomes highly conventional in its scoring, while also eliminating ambient sound.


jacques audiard- Un prophète- a prophet

Audriard's film, further, utilizes a prosaic narrative structure that borrows heavily from the televisual long-format that represents the core of high-end American popular culture, with HBO's "The Wire" and "Oz" especially germane in this instance. A Prophet possesses many of their virtues, relying similarly on the character-development that the aforesaid procure over their long durations. In this respect, Audriard's film belongs to this new tele-visual regime, whereas Hadewijch remains very much a work of auteurist art cinema in the classical sense: Dumont's film represents the more constricted artistic communication imparted through its organic, if ever so slightly uneven construction; it suggests not only the short story that is at the medium's core, but the painting medium that signifies in similarly discrete terms. On the other hand, A Prophet maintains a greater scope, relying on its storytelling to impart its arch issues. Though it touches on the same world as Hadewijch, it does so with less immediacy and urgency. Audriard is far more detached from his nonetheless very impressive work.



jacques audiard- Un prophète- a prophet

Technical Information:

Title: Un prophète/A Prophet
Year: 2009
Country: Belgium
Director: Jacques Audiard

Source: DVD9 Retail
DVD Format: PAL
Container: .iso + mds
Size: 7.70 Gb
Length: 2:28:52
Programs used: ImgBurn

Resolution: 720x576
Aspect Ratio: 16:9
Video: MPEG2 @ ~7800 kb/s
Frame Rate: 25 fps

Audio 1: Français- Dolby AC3 @ 192 kb/s
Audio 2: Français- Dolby DTS @ 768 kb/s
Audio 3: Français- Dolby 5.1 Surround @ 448 kb/s

Subtitles: English, Spanish

Menu: Yes
Video: Untouched
DVD Extras: None


jacques audiard- Un prophète- a prophet

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Un prophète Megaupload Links



Black Tambourine- Black Tambourine (2010)- EAC CD Rip (FLAC)

black tambourine
Black Tambourine was one of those great bands that fell through the cracks, so here's a taste of them, in case you've never had the pleasure.


black tambourine


Technical Information:

Artist: Black Tambourine
Album: Black Tambourine
Year: 2010

Audio Codec(s): FLAC
Encoding: Lossless
Rip: Audiochecker, EAC split tracks
Avg. bitrate: 915 kb/s
Sample rate: 44100 Hz
Bits per sample: 16
Channels: 2
File size: 269 MB
Length: 0:41:06


Tracklisting:

01. For Ex-Lovers Only (2:41)
02. Black Car (3:27)
03. Pack You Up (2:26)
04. Can't Explain (2:23)
05. I Was Wrong (1:35)
06. Throw Aggi Off the Bridge (3:17)
07. Drown (2:42)
08. We Can't Be Friends (1:48)
09. By Tomorrow (3:05)
10. Pam's Tan (1:19)
11. For Ex-Lovers Only (first demo) (2:43)
12. Throw Aggi Off the Bridge (first demo) (3:32)
13. Heartbeat (1:41)
14. Lazy Heart (3:03)
15. Tears of Joy (1:28)
16. Dream Baby Dream (3:57)


black tambourine


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Sparklehorse- It's a Wonderful Life (2001)- EAC CD Rip (FLAC)

sparklehorse- it's a wonderful life
We needed some more Sparklehorse around this place. Enjoy!


sparklehorse- it's a wonderful life


From Almost Cool Music Reviews:

Sparklehorse's last full-length album Good Morning Spider was a musical rollercoaster. At times it was lo-fi and rollicking and at other times it was lush and tugged at the heartstrings. It swayed back and forth so much that it amazingly captured the tumultuous state that lead man Mark Linkous' life had been in at the time. At the time that I heard it, I was surprised that it had even gotten released on a major label, but happy that it had been released at all. I also hoped that Linkous could keep things together to make another album and wondered whether Capitol would keep him around.

As it turns out, both of those things did end up happening, and the surprising part is that It's A Wonderful Life is even better than his previous release. On the last album, Linkous had help from some friends, but this release finds him working with an absolute pile of huge names. Nina Persson and Tom Waits contribute vocals on different tracks, along with P.J. Harvey on several, and musicians include everyone from John Parish to Adrian Utley (of Portishead, for reminders). It's quite a smorgasboard, but first and foremost are the actual songs, and although there isn't such a drastic mood shift in the songs, there are enough ups and downs to still keep things very interesting.


sparklehorse- it's a wonderful life

The album starts out with the album-titled track "It's a Wonderful Life" and the slow, quiet track waltzes along with an off kilter optigan (an old organ that plays tones based on plastic discs inserted into it) melody and some light orchestration and little touchs of radio static and blips. The second trafck "Gold Day" is probably the most likely track to catch attention, as it's one of the most upbeat and friendly sounding. With Persson on backup vocals and a warm rock vibe, the track steps things up a notch and leads perfectly into the next track, in which P.J. Harvey joins in on vocals and things really start to rock out.

The album keeps up that gentle sway nearly thoughout as well. "Apple Bed" is another quiet, introspective (although most of the lyrics on the release are so obtuse, it would be a hard argument for anything but) track, while "King Of Nails" rocks out. In fact, only one track on the disc stands out like a sore thumb, and as much as I hate to say it (because I really like Waits), it's the collaboration with Tom Waits. The clanging, rumbling track breaks the entire flow of the album, and I've personally simply brought myself to programming it out when listening to things straight through. Fortunately, the disc revives nicely after that, including the bizarre closer of "Babies On The Sun" and a very nice hidden track at the end of the disc (that shouldn't have been hidden).

Lyrically, this album is probably the most cryptic release by Linkous to date. The title track is filled with all kinds of animal imagery, including lines like "I'm full of bees who died at sea" and "I'm the dog that ate/your birthday cake." Interestingly enough, those are actually two of the least bizarre lines on the album, which may or may not be metaphors for anything else. In fact, lyrically the disc mainly feels like a trip through the strange unconsciousness of Linkous, and although it's probably not going to get him a radio hit anytime soon, things fit in nicely with the eerily beautiful music. It's another solid effort from the group, and if you've been interested in them before but haven't heard them, this would be the best place to start



sparklehorse- it's a wonderful life

Technical Information:

Artist: Sparklehorse
Album: It's a Wonderful Life
Year: 2001

Audio Codec(s): FLAC
Encoding: Lossless
Rip: Audiochecker, EAC split tracks
Avg. bitrate: 782 kb/s
Sample rate: 44100 Hz
Bits per sample: 16
Channels: 2
File size: 338 MB
Length: 1:00:31


Tracklisting:

01. It's a Wonderful Life (2:59)
02. Gold Day (4:15)
03. Piano Fire (2:44)
04. Sea of Teeth (4:29)
05. Apple Bed (4:54)
06. King of Nails (4:19)
07. Eyepennies (5:28)
08. Dog Door (2:47)
09. More Yellow Birds (4:53)
10. Little Fat Baby (3:41)
11. Comfort Me (5:01)
12. Babies on the Sun (15:02)


sparklehorse- it's a wonderful life


It's a Wonderful Life Megaupload Link